Issue Two.

 

Welcome to the second issue of earn, McCann Worldgroup’s quarterly magazine providing a behind-the-curtain look at how we help brands earn a meaningful role in people’s lives.

The work showcased in this issue represents some of the best from across our agencies and regions, and the campaigns are as varied in approach and execution as the places from where they originated.

What unifies our work is that each exemplifies all of our three creative north stars:

  1. Human Connection

  2. Positive Impact

  3. Invoke Action

 

I am particularly proud of how our work generates Positive Impact in the world. Whether it’s to help make a sight-impaired person’s life easier via product innovation, asking people to think about their relationship with sustainable food via a mockumentary, or reminding people to pay attention to the road when driving via a timely and locally insightful campaign, every one of these featured campaigns advances the broader social good in all the beautiful and varied ways we can do so.

We hope this issue of earn inspires you to think about how you individually, and we collectively, can continue to have a positive impact in the world.

If you have any questions or want to talk through any ideas that earn spurs, please feel free to connect with us.

 

President
Chief Creative Officer
McCann Worldgroup
Alex Lopez

 
 

Launching the MWVerse.

We are launching our Web3 platform – the MWVerse – with the first application being this year’s Cannes Lions festival.

A selection of our top campaigns are explored in virtual, branded rooms and experienced through the eyes of the agency teams that created them and the clients that supported them.

You’ll find an “MWVerse” button at the bottom of each case study for which we have created a Metaverse desktop experience…please jump in and explore (no oculus needed)!

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Our work with Black & Abroad.

Visualizing Black cultural data to create a powerful, data-driven domestic travel platform.

 
 
 

Two years after its provocative and acclaimed pan-Africa tourism campaign “Go Back To Africa,” Performance Art launches a powerful, data-driven domestic travel platform, “The Black Elevation Map,” for travel brand Black & Abroad.

 

“We wanted to help Black travelers see the country in a way that prioritizes and celebrates the contributions of folks who look like us – and facilitates travel choices that deepen engagement within our community.

Repurposing a traditional elevation map is a way for us to weave joy and uplift into the story, the experience, and our interpretation of the data.”

 

Chief Creative Officer & Co-Founder
Black & Abroad
Eric Martin

This project continues the brand’s leadership in connecting sophisticated cultural ideas with sophisticated technological execution.

It raises questions about how data biases construct the world around us. How careful use of data can help, rather than harm the world. And it shows the value of placing a brand’s work within a historical continuum.

 
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Our work with Chevrolet.

Using tradition and data to save lives during “Day of the Dead”.

 
 
 

“It’s a magnificent idea that connects with people through our national culture to generate awareness and save lives.”

 

Head of Operations
McCann Commonwealth Mexico
Siddharta Mora

Car accidents are one of the main causes of death in Mexico. Approximately every 40 minutes there is an accident where someone loses their life.

The lack of adequate road signs or the lack of sensibility of drivers to respect them lead to a large number of crashes and deaths each year. Likewise, studies prove that the existence of these help to minimize accidents up to 30% per year.

We found a way to leverage tradition to prevent tragedy, to use art to avoid accidents, to highlight those who have left us too early in the past to ensure less do so in the future.

  • Redefining the relevance of pickup trucks for a new generation of drivers.

    Our work with Chevrolet.

    A Soprano replaces a Soprano and a Chevy replaces a Chevy in this modern reimagining of the iconic show’s opening.

  • Dr. EVil

    Fighting climate change by making electric vehicles accessible to everyone.

    Our work with General Motors.

    Leading the mass adoption of electric vehicles to incite actionable climate change from Wall Street to Main Street.

Our work with Swedish Food Federation.

Exploring new ideas of what we eat to feed a growing population and save our planet.

 
 
 

Taking creative spark from the story of Magnus Söderlund, a Swedish academic who presented a study where 8% of the people considered eating human meat acceptable, we blurred the line between reality and fiction with “Eat A Swede.”

“The idea was executed in a way that both gave us global reach, raised awareness of Swedish food production and made all members of the organization feel included and proud of our work.”

 

Head of Communications
Swedish Food Federation
Jimmy Sandell

Part edutainment, part mockumentary, the film explores the changes needed in the food industry in order to feed a growing population and save our planet.

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Our work with IKEA.

Reliving the 90’s to showcase IKEA’s impact on people’s daily lives.

 
 

“You could call this an integrated campaign and you would be right —it’s totally pervasive.

But the way we see it, it’s an extremely popular TV show that happens to be an IKEA campaign.”

CCO
McCann Spain
Emiliano Gonzalez De Pie

 

IKEA arrived in Spain 25 years ago, and that moment marked the birth of a new generation who don’t know life without the brand: the IKEA natives.

As a result of this insight, the strategy was key to demonstrate the impact IKEA has had on our homes. We picked six of these IKEA natives and invited them to take a horrific trip in time to the 1990s in the form of a reality show.

  • Bringing Americans together by bringing together the two most American foods.

    Our work with Chevrolet.

    The classic Chevy jingle “Baseball, hot dogs, apple pie and Chevrolet” inspired the first-ever Apple Pie Hot Dog.

  • Dr. EVil

    Reconnecting with real life experiences by shopping for Cyber Monday deals online.

    Our work with LATAM Airlines.

    Flying to buy products from another destination can be cheaper than buying on Chilean overpriced Cyber Monday.

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Our work with Mastercard.

Helping low-vision people tell their cards apart with a touch.

 

“Consumers are looking to brands to be the change agents for tomorrow.”

 

VP of Innovation
Mastercard
Judi Vigiletti

When Mastercard learned that the low-vision community was having trouble telling their payment cards apart – after most banks removed embossing – we did something about it.

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Our work with eBay.

Democratizing the world’s most exclusive marketplace.

 

“Bringing communities together around a shared passion is what eBay’s marketplace is all about, and it’s been brilliant to bring this to life for the players and fans.”

 

Chief Marketing Officer
eBay UK
Eve Williams

We saw that demonstrating eBay’s democratic ethos in popular culture could strengthen its point of difference with competitors as a marketplace powered by real people.

So we targeted an overly-exclusive, overly-elitist moment in culture that could do with a bit of eBay's democratic ethos.

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Our work with Xbox.

Showing the human stories behind the armor and tapping into the hero inside all of us.

 
 
 

“Halo is more than a video game. It's an entertainment universe that has always reflected what is happening in gaming and culture.

‘Become’ is centered around the many versions of heroism that exist and the many faces it has.”

 

CCO
215 McCann
Scott Duchon

We talked to gamers about heroism and they told us that anti-heroes are more relatable than traditional heroes like Master Chief.

They said, believing in true heroes seems childish.

This leads us to our challenge. How do we create desire for a true hero in a world that no longer believes in them?

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Our work with L’Oréal Paris.

Giving new life to an iconic headline.

 

We wanted to create a spirit of sisterhood and unite our global family of inspirational spokespeople to convey strong messages on self-worth to all women.”

 

Global Brand President
L’Oréal Paris
Delphine Viguier-Hovasse

“Because I’m Worth It” was launched by McCann in 1973, a time when advertising was led by and focused on men. The idea of a woman proclaiming her self-worth and deciding how she spent her money was radical.

But as the tagline seeped into popular culture, copied and parodied and memed, its significance was going unnoticed.

 

Our Jurors.

Meet our employees from our diverse agencies across the globe who will also be jurors for this year’s Cannes Lions International Festival of Creativity.